And on their third effort, it’s still the sexy that sells us.

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..the album's most potent moment resides in the loping dubstep electropop of "City Girl"

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They may not be as confident here as they were on their first album, but La Liberación's best moments are direct and fun, and there's no shame in that.

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La Liberación certainly shows the band’s potential as a shimmering and chaotic live act, but it doesn’t do much else.

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On their third album, Brazilian dance-rock quintet CSS (Cansei de Ser Sexy) make baby steps toward maturation, but old habits die hard.

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La Liberación would make a good soundtrack to the summer, or what's left of it at least.

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La Liberación is not a new lease of life but perhaps a glimpse of one..

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A muddled third album from the Brazilians, plenty of fun but with little focus.

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By tempting the world with a debut so smart and subversive, so unique and so CSS-esque, their only option, without a dramatic change of MO, was to churn out similar stuff.

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CSS are so desperate to do something new that they never stick with their strengths.

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It's difficult for a band to sell themselves as sexy firebrands when they can't muster enough magnetism to last for at least one whole album.

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Reggae, Afrobeat and piano-driven balladry have been admitted to the party on album number three

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